As my pregnant belly swelled through the second trimester, I resided at the Ragdale Foundation on an awarded residency to work on a series of mixed media works depicting the confined shrines I photographed in Myanmar 3 years prior. I was struck by how many Buddhist shrines were kept in cages under lock and key and felt the images were a poignant reflection of the political climate. Some of the works contain Burmese newspaper collaged in. They were created with a xerograph process which involves transferring xerox copies, in this case of high contrast photographs of the cages that surrounded the shrines. Atop the transfers, Embedded within the cages are the golden shrines, well tended aside from being caged.
Their shop was the first floor of their home, stilted over Inle lake in Burma. The organic qualities of their massive hand hewn looms fill the room with the soft atmosphere of wood and cotton. They live under one of the most oppressive regimes today, which has resulted in a boycott of Myanmar by most countries. I wanted to reflect this existence of being completely cut off from the modern world by embedding the figures deep within the architecture of their looms. They are as visually separate from us, as they are culturally.