Lee Lee



Projects Underway


Debris is an interactive, collaborative installation which is being created as a response to the problems presented by single use plastic. The work reflects the literal problem of plastic in the marine environments, while offering a symbolic representation of the chemical body burdens carried by wildlife and humans alike. In presenting these issues, we are asked to consider misplaced notions of “disposability”, calling in to question consumer driven waste which has devalued what is in fact a very important material.

Learn more & Participate in the project

Upcoming Engagements:

La Vie Des Choses (The Life of Things)
July-October, 2015 in conjuction with the Biennial of the Americas
Processus Art & Life, Denver

Surface Arts - Rumpueng
August 2015
Chaing Mai, Thailand

TransCultural Exchange
Expanding Worlds
February, 2016 - Boston University

With the Earth
March-April 2016
Gallery Route One, Point Reyes Station near the National Seashore, Northern California

right: Alewives - Blue Whale Family: plastic collage on watercolor paintings

Installing work at La Napoule - photo: Michael Gadlin


Initiated by Rian Kerrane, a native of Ireland, Hybrid asks fourteen artists to “cross over”. The artists’ work examines the experience of crossing the Atlantic in the current political climate while acknowledging historic influences from each artist’s perspective; identifying experiences of (dis)placement and immersion in cultural and social surroundings from either side of the Atlantic. RedLine provides the first venue for a pair of exhibitions, the second of which will take place in Ireland, allowing each artist to engage both with “local” proximity and “foreign” distance in turn.

Regional Cultural Center
Letterkenney, Ireland
Residency: December, 2015
Exhibition: January, 2016

2350 Arapahoe Street, Denver CO 80205
August 11 – September 30, 2012

At RedLine, Colorado and Irish artists take on each others' lands
by Ray Rinaldi for the Denver Post, 19 August 2012

Colorado Art Ranch - Terraphilia Residency
June, 2012 - Salida CO

View work
The Hybrid work was developed around the long term ecological impacts of hardrock mining on the Arkansas river. The bulk of the miners who came out west were from Ireland and have had a lasting imprint on the culture here.

right: Maid of Erin mine & Stringtown mine, Leadville CO - tea, graphite, ink on paper


Nourish is a multifaceted project which seeks to understand the way we grow and consume food.

Starting with the impacts of our industrial food machine, a series of paintings were created to explore the environmental consequences of imposing ourselves on the land. As a counterpoint to the problems caused by industrial agriculture, solutions are presented through educational works about developing technologies built around the ideas of sustainable agriculture. The third arm of this project reflects on the resilience demonstrated by people around the world who are finding ways to maintain traditions in the face of a globalization which tears at the social fabric of our communities.

SEED Denver

In 2015 SEED Taos will travel to Denver

Image: Ladybug with carrot flowers and seeds (detail)


Sacred Soil - Cultivating the Urban Lakou

Ghetto Biennial
December 2015 - Port-Au-Prince, Haiti

The effective revolutionary approach of the Lakou, Vodou and Kreyol have much to offer a wider discourse on preserving traditional farming practices in the face of monumental threats from industrial agriculture. Drawing from the historical importance of agriculture in Haiti, the Sacred Soil project will consist of small permaculture gardens to cultivate nourishment at neighborhood scale. Built from locally sourced materials, oil barrels and tires will be collaboratively transformed into sculpted vessels for the garden containers. They will be installed through the urban Lakou, paired with catchment systems developed to take advantage of intermittent heavy rainfall in order to provide constant access to water so the gardens may be sustained. Working with the most common ingredients used in traditional recipes I gathered while working with grandmothers during the 2013 Ghetto Biennial, planned companion planting will be developed to make high density use of the small spaces. Seeds will be sourced in local markets in Port-Au-Prince, and on the farms where we will also gather soil in a way that supports biodynamic and traditional farming practices of the rural Lakou. Rounding out the project will be a celebratory feast of Tchaka for Lwa Azaka, the well-loved god of agriculture.

Aqua Art Miami
December 2015 - C Emerson Fine Arts

Society for Caribbean Studies
July 2014 - University of Glasgow, Scotland

Moving Beyond Capitalism
July - August 2014
- Center for Global Justice, San Miguel de Allende, Mexico

Ghetto Biennial
December 2013 - Port-Au-Prince, Haiti

Image: Soloman Market, from the Haiti Sketchbook

Lee Lee - sketch of the Soloman Market, Port-au-Prince, Haiti

Grandpa's Garden
Small scale solutions & emerging technologies

Tales of Thatcher Gray
A Year in Grandpa's Garden seeks to educate children with solutions to some of today’s biggest environmental problems which are caused by the industrial food machine. This body of work follows the development of a permaculture garden by Thatcher Gray and Grandpa. Important solutions stem from growing food in a sustainable way that involves the next generation. Exploring the importance of composting, gray water recycling & filtration through wetlands, habitat construction & maintenance, seed saving, biodiversity and nourishment, Thatcher Gray learns to be conscious of impacts we have on our surroundings. Peter T. Leonard (Grandpa) is a master gardener who focuses on a return to tradition while incorporating new developments in polyculture, aquaponics and permaculture. He is writing haiku to compliment the paintings. The work is available online with expanded explanations and links specific to the subjects addressed, and may be viewed at TalesOfThatcherGray.com

12.12: "It is a charming account of three generations working together to create a utopian family haven that speaks to global responsibility"
from An Artful Adventure in Sustainable Living by Lyn Bleiler – Eco Source Magazine

7.12: A Year in Grandpa's Garden - Edible Santa Fe
Featuring watercolors on Permaculture

May 31 - July 19, 2013: Urban Earth
Downtown Aurora Visual Arts Center, CO
This exhibition highlights the importance of reconnecting people and their environment through sustainable urban landscapes.
Opening Reception: May 31, 4-8pm

10.12 & 10.14: Slow Food USA delegate to the Terra Madre conference - Turin, Italy
Synopsis: Global Perspectives on Localized Food Movements

9.27.12: ISEA2012: Machine Wilderness - Reinvisioning Art, Technology & Nature.

right: Carrot - Bee - Zucchini - watermedia, tea, beet & red cabbage stain

The Butterfly Project

The Monarch butterfly population is on the verge of collapse. Huge swaths of industrialized monoculture have all but decimated the milkweed which is necessary to nourish the generations of butterflies that complete a migration cycle. Chemical inputs, especially pesticides, are fatal to butterflies. Visually, the butterfly is fragile. These prints give the butterflies a ghostly appearance to givea sense of their decline.

The interactive nature of this project offers the opportunity for participants to express their hopes on cards made of repurposed manila folders printed in the warm blacks and oranges of the Monarchs. Prompts are offered so that people may share solution oriented ideas in writing. We hope to engage participants in a dialogue centered around solutions from regions north and south of a border that is evident to us but invisible to the graceful Monarchs. As we enter the Anthropocene, it is vital that we recognize that in the era that has been named after humans, it is up to us to ensure our future survival.

Collaboration with Susanne Mitchell

Over the Edge: Paperworks Unbound
November-December 2014
Curated by Claire Gilman of The Drawing Center
Williamsburg Art and Historical Center
Brooklyn, NY

Art as Catalyst
July - August, 2014
The Center for Global Justice
San Miguel de Allende, Mexico

The Environmental Un-sustainability of the
American Food Machine



Bitter but beautiful Harvest
Lee Lee's stark style captures anger and elegance among environmental degradation.
by Lennie Bennett, St Petersburg Times


Exhibition Highlights:
Equilibrium; Art for a Changing World - Woman Made Gallery, Chicago IL, 2014
Natural/Constructed Spaces -
The Painting Center, NY, 2012
Taos Contemporary - The Metro Center for Visual Art, Denver CO, 2012
- 910 Arts, Denver, 2011
Vanishing Pollinators - WEAD installation at the Bioneers Conference, 2010
Art & Agriculture - The Columbia Arts Center, 2010
Extinction - Denver Botanic Gardens, 2009
REAP - C Emerson Fine Arts, St Petersburg FL, 2009


"Lee Lee's silvery gray Crop Circles provides an aerial view of cultivated agricultural land seemingly through a rain screen, as though the blurred landscape is disintegrating beneath us"
- Curatorial statement by Galen Cheney & Marianne Van Lent for Natural/Constructed Spaces at the Painting Center, NY

right: Rain - Oil Refinery, Commerce City (detail) watercolor, conte & oil
Ghost: Abandoned Slaughterhouse - watermedia & tar on shotgunned collage
Crop: acryllic on canvas